Showing posts with label favourites. Show all posts
Showing posts with label favourites. Show all posts

Wednesday, 18 April 2012

The Voice: my kind of reality TV

I recently re-read a rant of mine about last year's X Factor; specifically, about the number of shameless soundalikes given airtime. Having watched new reality show concept The Voice over the past three weeks, it seems like the BBC read it too, thought, 'that IS uncool' and commissioned a show where having your own, unique voice is the very minimum required.

I love The Voice. I love it for Jessie J singing along and visibly willing people to be amazing, I love it for the ultra-camp WHOOSH as the chairs spin around, I love it for Will.i.am's unbelievable geeky, robotic weirdness and I love it for the almost complete absence of sob stories. I even love Danny ScriptQuiff's unbearable neediness.

While not all of the singers that have got through have my stamp of approval, how boring would life be if there was nothing to shout at the TV about? The potentially spine-tingling moment when an auditionee opens their mouth and the suspense of the chair-turning have me absolutely hooked.

Some people have moaned about Jessie J's loudness (love her), patterned shirt (love it) or interrupting (don't care, still love her), but I think the judges are a nice mix. You've got Tom Jones to soak up all of the naff cruise-shippy singers (who will hopefully go this week in the SING-OFF round!), Jessie to inspire tears and worship from every misfit auditioning, Will to deliver immense and unexpected Michael Jackson impressions, and Danny to silently scream 'LOVE ME!' with his eyes every time someone's picking their mentor.

I can't bloomin' wait for the sing-offs this weekend - way to tap into the Glee audience, BBC - and see how my favourites progress. Here they are, by the way...

J Marie Cooper
Team: Will.i.am
The redhead who absolutely stormed her audition with Mamma Knows Best, arguably Jessie J's hardest song to sing. I liked her style, I liked her attitude and her voice was just different enough from JJ's (a touch of jazzy vibrato for starters). Rumours abound that she's an evil diva, but I don't care. I like my divas evil, demanding and a bit mental.


Ben Kelly
Team: Jessie J
Ben had me at 'She packed her bags last night, pre-flight'. Love Rocket Man as I do, though, it was the risk-taking and piano skills that really sold this one for me. He's quirkier and less marketable than the above, but I'm feeling him from his bow tie to his red skinnies.


Vince Kidd
Team: Jessie J
Vince was a tough-looking platinum blonde with the piercings and the hood. But he showed his talent when he whipped out a funky, grinding cover of Madonna's bubblegum Like a Virgin, and his soft side when he was reduced to wibbly tears by the judges' praise. Can't wait to see what he'll do next.


David Faulkner
Team: Jessie J
The only one smacking of 'underdog' that I liked, David was the Welsh builder who rocked Superstition. If he can apply his crazy vocals to something more contemporary, I'll like him even more. I also liked that other guy with the hat, but since I can't remember his name (and can remember his fiancee was called Twinnielee), he's out.


Becky Hill
Team: Jessie J
I had to pick another girl, had to. I liked this one (although I wasn't enamoured with Jessie J turning her chair so early - seemingly because she'd picked her favourite song). I really wanted an amazing black mama with a huge voice, but didn't get one, or a gorgeous country and western type - and they rejected Harriet Whitehead, who I thought was quite good. So I pick Becky, whose tone I liked and stood out for me among a few cruisey or shouty types.

The judges seemed to put through more females I didn't like than ones I did, which is odd. Loving the blokes though. And let's face it, Jessie's definitely got the best crop of artists. Do comment with who you've loved or hated, or if you totally disagree with me about the show.

Images: BBC

*Apologies for the amount of capitals, reality TV singing shows really bring that out in me.

Tuesday, 1 November 2011

Some Like it Hot: still sizzling today

I've really enjoyed The Guardian's series of favourite film and album blogs, so I was thrilled to see my personal favourite, Some Like it Hot, pop up today as Becky Barnicoat's chosen flick. This film is cheeky, sexy, silly and hilarious. People who have just heard of it in passing or seen the iconic stills will think this film is popular because of Marilyn Monroe, the same way Breakfast at Tiffany's is cherished mainly for Audrey Hepburn's performance (despite having some iffy acting and some seriously un-PC content.) This is a bit of a myth. I do feel that Monroe is the only person who could have played the voluptuous, lovelorn Sugar Kane, smart enough to go on the run from heartache but dumb enough to fall for an imposter. But it is the script, the pace of the screwball plot and the combination of Tony Curtis and Jack Lemmon that makes this film a classic.


I have had serious love for SLIH since, as a GCSE media studies student, I was told to go away and learn about comedy genres: parody, rom-com and screwball included. Some Like it Hot was the first video - yep, I'm that old - I picked up, and I was instantly enchanted. Two regular Joes (well, one Joe and one Gerry) have to get out of Chicago after witnessing the St Valentine's Day massacre and going on the run from the mob. Their best option is donning some hosiery and lippy and joining all-female jazz band Sweet Sue and her Society Syncopators to escape to Florida. The script is pow-pow-pow quickfire comedy, Tony Curtis is smooth saxophonist perfection (even in drag) and Lemmon's romance with Osgood Fielding III sublimely ridiculous. 

There is even some hot jazz along the way, with the sexy Runnin' Wild rehearsed on the train, Monroe's infamously slinky I Wanna Be Loved By You and her desperately sad rendition of I'm Through With Love at the climax of the film. Barnicoat mourns the lack of Technicolor in her blog post, but I think black and white makes this film what it is. Monroe's hourglass silhouette needs no zesty palette to improve it, Joe and Gerry's hastily-acquired drag looks just about convincing, and the whole picture just smokes with romance, mischief and jazz. 

If you're in need of a cosy weekend film as winter takes over, or just haven't seen this enduring comedy yet, I would highly recommend it. I might even dig out the old VHS myself...